May the new year bring us more joys of nudity from around the world. Nudity shy celebs from Tinseltown will surprise us in 2013. Some you expect, some you will be pleasantly shocked and few will blow you away with brazen display of skin show after dodging the nudity bullet for so long. Mark my words. 2013 is the beginning of the golden decade for on-screen nudity.
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(credit goes to an anonymous tipper)
Nadya is the one with the horse and then topless in the black underwear at the end.
Nadya in Taio Cruz music video:
Nadya is from Uzbekistan which is a Muslim-majority country. There been few fashion models from that country but they rarely posed nude for prints or ads. She lives in New York now.
More of Nadya here and here.
Nadya is a smart girl. She constantly on the hunt for rich boys to take care of her financially. Was sleeping with a sugar-daddy in shape of 55-years old producer Lawrence Bender. They're not strictly dating the way normal folks do. This is Hollywood after all. Where old geezers arrives alone at red-carpet events and leaves with a babe working the function in some vague capacity or attending it on 'special invitation'.
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24-years old Danish supermodel Stephanie Corneliussen : Tony Kelly for Treats! Magazine #2 [2011]
(scanned pics)
Stephanie posed for Playboy as well. You can catch her in a very minor role in Hansel and Gretel Witch Hunters (2013).
http://content.fashiontube.com/4/1107a89d-24e8-454e-9083-c773a7603420/640x.webm
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Larissa Riquelme Sexy Magazine May 2012
from Thelema77++++++++++++++++++++++++++++++++++++++++++++++
THE CASTLE - A short story with English nude model/dancer Raphaella
from Heiner Haensel++++++++++++++++++++++++++++++++++++++++++++++
39-years old American entrepreneur, WOLF mag editor and model Debranne Treu "Bula": full frontal nudity
from WOLF Magazine++++++++++++++++++++++++++++++++++++++++++++++
Cavallaria "IRON MAIDEN" For Wolf Magazine - SPFFF Extended Directors Cut
from WOLF MagazineStarring: 21-years old Brazilian model Alicia Kuczman (topless)
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Deseo Primaveral
from Red Studio++++++++++++++++++++++++++++++++++++++++++++++
Ângela Bismarck - Ele Ela
from Patrick Nicholas Korb++++++++++++++++++++++++++++++++++++++++++++++
from Charles Wilson collection
TALK DIRTY TO ME
MISS AMERICA
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FORREST and BOB "THE FALLEN"
from FORREST and BOB
Models (nextmodels.com):
Brooke Bonelli
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| Brooke Bonelli |
Ciara Christensen
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| Ciara Christensen |
Franki H
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| Franki H |
Jodie Smith
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| Jodie Smith |
Cassandra Smith
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| Cassandra Smith |
25-years old frontal nude debutant Heather Hahn (please notify me I got it wrong about the nude info)
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| Heather Hahn |
Bonus Vid:
Bruno makes fun of supermodel Heather Hahn
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End to Hollywood Film Violence Unlikely
December 31, 2012
LOS ANGELES — The recent school shootings in Connecticut have again raised questions about the role of violent media in mass shootings. People in Hollywood are asking the same questions, but they say that violent action films are a staple in Hollywood and are not likely to disappear anytime soon.
G.I. Joe: Retaliation is the kind of film that earns money for Hollywood by appealing to teenage boys with its action, fighting and explosions.
Tim Gray of the entertainment business publication Variety said the debate over violent entertainment goes back to the paper's founding 100 years ago, and even further.
“It actually goes back 2,000 years, if you look at the plays that the Greeks wrote, the Greek tragedies, if you think about the gladiators in the Coliseum, violence and entertainment have always gone together, but it's so pervasive now. That's the big difference,” said Gray.
The famed shower stabbing scene from Alfred Hitchcock's film, Psycho, shocked viewers in 1960, but it was one short segment in a highly crafted film that relied on dialogue to tell its story.
The upcoming Sylvester Stallone film, Bullet to the Head, uses action to hold the viewer's attention.
The science-fiction film, Pacific Rim, about an alien invasion, also should draw its share of adolescent movie-goers.
Jonathan Taplin is a producer whose credits include the early Martin Scorsese film, Mean Streets, starring Robert De Niro and Harvey Keitel. He is now a media analyst with the University of Southern California's Annenberg School for Communication. Taplin said that guns, explosions and exciting chases sometimes substitute for careful story-telling.
“Action films are action films, and that's one of the things that Hollywood does well. And I'm not positive they know how to sustain a teenage audience without a lot of violence,” he said.
Taplin and others in Hollywood point to violent video games aimed at individual players, so-called first-person shooter games, as a much bigger problem than movies or television.
Wayne LaPierre of the National Rifle Association, the powerful gun lobbying group, has blamed both game and movie makers for the ongoing violence in the real world, as he rejected calls for stricter gun controls.
But much of the world watches Hollywood entertainment without a problem, said analyst Taplin. He said people elsewhere do not have easy access to high-powered weapons.
“You don't see mass shootings of children in many, many countries where Hollywood movies are the key source of entertainment,” he said.
Still, Taplin is disturbed by the violence that now pervades films, especially from movie makers like Quentin Tarantino, whose new release, Django Unchained, tells a story of slavery and retribution in the American South before the Civil War.
The recent school shootings have many in Hollywood asking whether movie makers need to tone down the violence, said Gray.
“People are talking about the Connecticut shootings as if it's the tipping point that could make a difference. Maybe, but we have heard that before,” he said.
And youthful audiences show no signs that they are tired of violent action films.
G.I. Joe: Retaliation is the kind of film that earns money for Hollywood by appealing to teenage boys with its action, fighting and explosions.
Tim Gray of the entertainment business publication Variety said the debate over violent entertainment goes back to the paper's founding 100 years ago, and even further.
“It actually goes back 2,000 years, if you look at the plays that the Greeks wrote, the Greek tragedies, if you think about the gladiators in the Coliseum, violence and entertainment have always gone together, but it's so pervasive now. That's the big difference,” said Gray.
The famed shower stabbing scene from Alfred Hitchcock's film, Psycho, shocked viewers in 1960, but it was one short segment in a highly crafted film that relied on dialogue to tell its story.
The upcoming Sylvester Stallone film, Bullet to the Head, uses action to hold the viewer's attention.
The science-fiction film, Pacific Rim, about an alien invasion, also should draw its share of adolescent movie-goers.
Jonathan Taplin is a producer whose credits include the early Martin Scorsese film, Mean Streets, starring Robert De Niro and Harvey Keitel. He is now a media analyst with the University of Southern California's Annenberg School for Communication. Taplin said that guns, explosions and exciting chases sometimes substitute for careful story-telling.
“Action films are action films, and that's one of the things that Hollywood does well. And I'm not positive they know how to sustain a teenage audience without a lot of violence,” he said.
Taplin and others in Hollywood point to violent video games aimed at individual players, so-called first-person shooter games, as a much bigger problem than movies or television.
Wayne LaPierre of the National Rifle Association, the powerful gun lobbying group, has blamed both game and movie makers for the ongoing violence in the real world, as he rejected calls for stricter gun controls.
But much of the world watches Hollywood entertainment without a problem, said analyst Taplin. He said people elsewhere do not have easy access to high-powered weapons.
“You don't see mass shootings of children in many, many countries where Hollywood movies are the key source of entertainment,” he said.
Still, Taplin is disturbed by the violence that now pervades films, especially from movie makers like Quentin Tarantino, whose new release, Django Unchained, tells a story of slavery and retribution in the American South before the Civil War.
The recent school shootings have many in Hollywood asking whether movie makers need to tone down the violence, said Gray.
“People are talking about the Connecticut shootings as if it's the tipping point that could make a difference. Maybe, but we have heard that before,” he said.
And youthful audiences show no signs that they are tired of violent action films.
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